I was a post-production compositor on seasons 4 and 5 of Rick and Morty. Season 4's "The Vat of Acid Episode" won the 2020 Primetime Emmy for Outstanding Animated Program.
Working with the technical director, editor, directors and producers, I helped create and enhance visual effects, add lighting treatments, correct animation errors, and animate new character action and dialogue.
I was a post-production compositor on seasons 1 - 3 of Hulu's hit animated series, Solar Opposites.
Working with the editor, directors and producers, I helped enhance effects, add lighting treatments, camera movement, correct animation errors, and animate new character action and dialogue.
I worked on parts 1 - 4 (35 episodes) of Netflix's Disenchantment. Working with directors and producers, I added special effects, camera movement, fixed animation, composited 3D elements, and added lighting treatments to enhance the look of the show. I was the last man on the assembly line in the animation production process of this show.
I worked on the second and third seasons of Clash-A-Rama!, a popular YouTube animated series, with over 1 billion views, based on the Clash of Clans and Clash Royale mobile games. I added and enhanced the special effects seen throughout the series, as well as camera movements and various animation improvements.
I worked on all ten episodes of the TBS original series, Tarantula. I added special effects, camera movement, fixed animation errors and added lighting and shading to help enhance the 2D animation.
This is the official launch trailer for the mobile game Futurama: Worlds of Tomorrow. After the animation was completed, my job was to composite the 3D monolith into the 2D animation, as well as adjusting the animation timing and camera moves. This was the first animation project I ever worked on.